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September

  • Article Item
    A detail of william cordova's "can't stop, won't stop: tenets of southern alchemy." This collaged work shows a black and white image of a row of city apartment buildings with red letter jacket-style letters on the windows reading, from top left to bottom right, P, W, O, N, T, S, T, O, and P. Black and white and color images of Black men and women appear to sit on stoops, walk on the sidewalk, or peer through windows.
    william cordova , article

    THURSDAY, SEPTEMBER 21-SUNDAY, DECEMBER 17: william cordova examines the visual aspects of transition and displacement, studying the evolution and adaptation of objects and perception across time and space.

  • Article Item
    An installation view of Laurie Steelink's "Gathering Power," 2022. Photo by Yubo Dong, ofstudio. A three-paneled wood structure on which hangs two paintings. The painting in the center is a multicolored starburst or dream catcher pattern. Sculptural elements at left and in the center are reminiscent of totem poles. At right, a deer head and a willowy tree branch hang on a panel.
    Laurie Steelink , article

    THURSDAY, SEPTEMBER 21-SUNDAY, DECEMBER 17: Exploring connections to her Native American roots, multidisciplinary artist Laurie Steelink creates assemblages of found objects and reassembled paintings to question authenticity and consider spirituality.

  • Article Item
    The Brentano String Quartet wears evening attire in a grand, wood-paneled room, light streaming in from large windows to the right. The quartet is comprised of two white men, one white woman, and one Asian woman, who is seated. They each hold their instruments.
    Brentano String Quartet , article

    FRIDAY, SEPTEMBER 22, 7:30 PM: Having first performed in the Fife in 2014, Brentano String Quartet returns for the center’s 10th anniversary season, joined by leading violist and Juilliard faculty member Hsin-Yun Huang.

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    Black women gather around a table and look at old photos while performing "The Book of Life" on stage. The women have brightly colored long braids, except for one woman slightly left of center, whose hair is wrapped in a royal blue head wrap.
    Talk: "The Rwandan Genocide and 'Macabresque'" , article

    TUESDAY, SEPTEMBER 26, 6:30 PM: Join Professor Edward Weisband, author of "The Macabresque: Human Violation and Hate in Genocide, Mass Atrocity, and Enemy-Making," for a reflection on the question of how life must be lived in the presence of absence.

  • Article Item
    Women drummers from Rwanda perform onstage. They are Black women with brightly colored long braids, some of which are flying through the air with their motion. They wear blue and brown patterned dresses in slightly different styles.
    "The Book of Life" , article

    TUESDAY, SEPTEMBER 26, 7:30 PM: Rwandan writer and activist Gakire Katese Odile “Kiki” takes to the stage with Ingoma Nshya, the Women Drummers of Rwanda, for new theatre project "The Book of Life," a deeply moving perspective on life, loss, and recovery.

  • Article Item
    A Rwandan drummer performs "The Book of Life" on stage. She is a young Black woman with long, brightly colored braids, and she wears a blue and brown patterned dress.
    Post-Performance Q&A: "The Book of Life" , article

    TUESDAY, SEPTEMBER 26, following the performance: Join the performers from "The Book of Life" for this public dialogue on the production’s development and impact.

  • Article Item
    Women drummers from Rwanda perform onstage. They are Black women with brightly colored long braids, some of which are flying through the air with their motion. They wear blue and brown patterned dresses in slightly different styles.
    School-Day Performance | Ingoma Nshya: The Women Drummers of Rwanda , article

    WEDNESDAY, SEPTEMBER 27, 10 AM: In 2004 Kiki Katese created the first-ever Rwandan female drumming ensemble, Ingoma Nshya — which is Kinyarwanda for "New Drum" or "New Power."

October

  • Article Item
    A detail of william cordova's "can't stop, won't stop: tenets of southern alchemy." This collaged work shows a black and white image of a row of city apartment buildings with red letter jacket-style letters on the windows reading, from top left to bottom right, P, W, O, N, T, S, T, O, and P. Black and white and color images of Black men and women appear to sit on stoops, walk on the sidewalk, or peer through windows.
    william cordova , article

    THURSDAY, SEPTEMBER 21-SUNDAY, DECEMBER 17: william cordova examines the visual aspects of transition and displacement, studying the evolution and adaptation of objects and perception across time and space.

  • Article Item
    An installation view of Laurie Steelink's "Gathering Power," 2022. Photo by Yubo Dong, ofstudio. A three-paneled wood structure on which hangs two paintings. The painting in the center is a multicolored starburst or dream catcher pattern. Sculptural elements at left and in the center are reminiscent of totem poles. At right, a deer head and a willowy tree branch hang on a panel.
    Laurie Steelink , article

    THURSDAY, SEPTEMBER 21-SUNDAY, DECEMBER 17: Exploring connections to her Native American roots, multidisciplinary artist Laurie Steelink creates assemblages of found objects and reassembled paintings to question authenticity and consider spirituality.

  • Article Item
    Host Kathy Mattea sings into a microphone on stage during a Mountain Stage performance. Mattea is a white woman with long grey hair. She wears a black blazer and plays an acoustic guitar, which is just visible behind a music stand. The background is ethereal-looking blue and grey lights.
    Mountain Stage with Kathy Mattea , article

    SUNDAY, OCTOBER 1, 7 PM: Join Grammy-winning country and bluegrass star Kathy Mattea for an episode of Mountain Stage recorded live from the Fife Theatre.

  • Article Item
    From left, Shahzad Ismaily, a bald brown man with white sideburns, round sunglasses, and a long white peacoat over a dark shirt; Vijay Iyer, a young brown man with medium length dark brown hair in a fade on the sides, wearing a black and silver brocade blazer over a black button down shirt, and Arooj Aftab, a young brown woman with dark brown hair pulled into a messy updo, wearing a black jacket with fluffy white sleeves. They stand in front of a dark grey background.
    Arooj Aftab, Vijay Iyer, and Shahzad Ismaily , article

    SATURDAY, OCTOBER 7, 7:30 PM: Three accomplished musicians forge a singular voice incorporating their distinct backgrounds and vast histories of collaboration.

  • Article Item
    Writer and activist Winona LaDuke, a middle aged Indigenous woman with long, straight brown hair. She smiles towards the camera in front of a light grey background in this headshot.
    Winona LaDuke , article

    MONDAY, OCTOBER 9, 7:30 PM: Harvard-educated economist, activist, and author Winona LaDuke has devoted her life to advocating for Indigenous people’s rights and environmental justice.

  • Article Item
    Two dancers perform "Krummelpap, Scandals Wrapped with Prayer" on stage. A Black woman, at left, and a Black man, at right, extend their left arms out towards a stage light. She has honey blonde natural curly hair pulled into a ponytaile and wears a pink long sleeved shirt. He has medium length natural hair and wears a brightly colored patterned shirt and light blue shorts.
    Workshop: Garage Dance Ensemble , article

    TUESDAY, OCTOBER 10, 6 PM: Join members of Garage Dance Ensemble for this session focused on dance technique, rooted in the company’s unique practice of “give and take.”

  • Article Item
    Two light skinned Black women, one middle aged, in the background, and one younger, in the foreground, perform "Krummelpap, Scandals Wrapped with Prayer" on stage. The younger woman has a shaved head and wears a wine-colored velvet halter neck dress and sits on a stool. The older woman wears a striped tank top dress and stands behind her, her face twisted in concentration and both hands raised above the head of the younger woman, as if in prayer. Between her hands, a bright stage light is visible.
    Garage Dance Ensemble , article

    WEDNESDAY, OCTOBER 11, 9 PM, AND THURSDAY, OCTOBER 12, 7:30 PM: Garage Dance Ensemble brings this deeply personal and socially charged contemporary dance-theatre work named for krummelpap, a South African comfort food similar to American grits.

  • Article Item
    A young Black woman, left, and a young Black man, right, dance together on stage during "Krummelpap, Scandals Wrapped with Prayer." She has honey blond natural hair pulled into a ponytail, wears a pink shirt, and sticks her tongue out through a flirty smile. He wears a brightly colored patterned shirt, on which black letters read "UZZI," and extends his right arm out gracefully.
    Post-Performance Q&A: Garage Dance Ensemble , article

    THURSDAY, OCTOBER 12, following the performance: After experiencing "Krummelpap, Scandals Wrapped with Prayer," engage with members of the South African dance company in this open discussion.

  • Article Item
    Lionel Meunier, artistic director of Vox Luminis, sits cross legged on a modern couch. He is a white man with short dark hair wearing a white collared shirt under a black sweater and black pants in this black and white photo.
    Workshop: Vox Luminis , article

    THURSDAY, OCTOBER 19, 1 PM: Observe an early music vocal workshop — led by Lionel Meunier, founder and artistic director of Vox Luminis — for members of the Virginia Tech Chamber Singers.

  • Article Item
    The members of Vox Luminis stand in a group on a set of outdoor brick stairs. The musicians in the group hold their instruments, and everyone wears evening attire.
    Vox Luminis , article

    THURSDAY, OCTOBER 19, 7:30 PM: Renowned Belgian early music vocal and instrumental ensemble Vox Luminis is defined by its unique sound, appealing as much through the personality of each timbre as it does through the color and the uniformity of the voices.

  • Article Item
    The logo for Broadway show "Come From Away," which is spelled out in yellow text with the O in "From" represented as the earth. Below the title is light blue text that reads "True Story. Hit Musical." The background is a blue woodgrain.
    "Come From Away" , article

    MONDAY, OCTOBER 23, 8 PM: This stirring and inspiring musical takes you into the heart of the remarkable true story of the small town in Newfoundland that opened its homes to 7,000 stranded travelers on 9/11.

  • Article Item
    The members of Pink Martini wear '60s-inspired outfits and dance in front of a multicolored '60s-inspired backdrop, some of them holding their instruments.
    Pink Martini featuring China Forbes , article

    FRIDAY, OCTOBER 27, 7:30 PM: After a fervent standing ovation for its 2021 performance at the Moss, audience favorite Pink Martini brings its infectious, bubbly sounds back to Blacksburg for a celebration guaranteed to have the audience dancing in the aisles.

November

  • Article Item
    A detail of william cordova's "can't stop, won't stop: tenets of southern alchemy." This collaged work shows a black and white image of a row of city apartment buildings with red letter jacket-style letters on the windows reading, from top left to bottom right, P, W, O, N, T, S, T, O, and P. Black and white and color images of Black men and women appear to sit on stoops, walk on the sidewalk, or peer through windows.
    william cordova , article

    THURSDAY, SEPTEMBER 21-SUNDAY, DECEMBER 17: william cordova examines the visual aspects of transition and displacement, studying the evolution and adaptation of objects and perception across time and space.

  • Article Item
    An installation view of Laurie Steelink's "Gathering Power," 2022. Photo by Yubo Dong, ofstudio. A three-paneled wood structure on which hangs two paintings. The painting in the center is a multicolored starburst or dream catcher pattern. Sculptural elements at left and in the center are reminiscent of totem poles. At right, a deer head and a willowy tree branch hang on a panel.
    Laurie Steelink , article

    THURSDAY, SEPTEMBER 21-SUNDAY, DECEMBER 17: Exploring connections to her Native American roots, multidisciplinary artist Laurie Steelink creates assemblages of found objects and reassembled paintings to question authenticity and consider spirituality.

  • Article Item
    At left, Nikki Giovanni, an older Black woman with short, grey, natural hair, and at right, Javon Jackson, a Black man with a short Afro. They sit in a recording studio, both wearing headphones, and he holds his saxophone. Blurred yellow lights reflect in front of the pair.
    Javon Jackson with Nikki Giovanni and Nnenna Freelon , article

    FRIDAY, NOVEMBER 3, 7:30 PM: A historic collaboration between renowned poet and Virginia Tech legend Nikki Giovanni and saxophonist-composer and former Jazz Messenger Javon Jackson has yielded "The Gospel According to Nikki Giovanni."

  • Article Item
    An actress, an Asian woman with long red-brown hair, wears sunglasses and a fur coat and speaks into three microphones in stands, her right hand pointing towards the ceiling.
    Seongbukdong Beedoolkee Theatre , article

    WEDNESDAY, NOVEMBER 8, AND THURSDAY, NOVEMBER 9, 7:30 PM: This Seoul, Korea-based innovative contemporary theatre company delivers a completely original take on the enduring Greek tragedy of "Medea," recasting the ancient tale as a commentary on contemporary media and serving it to the audience in outrageous ways.

  • Article Item
    Characters perform "MEDEA on Media" on stage, all dressed in party attire from the 1940s or '50s, and dance on stage.
    Post-Performance Q&A: "MEDEA on Media" , article

    WEDNESDAY, NOVEMBER 8, following the performance: Join the director and performers of "MEDEA on Media" for this open discussion on the theatre company’s bold adaptation of this classic tragedy.

  • Article Item
    The members of Invoke, four white men wearing casual cloths, playfully pose in front of a light grey background. One member pulls back the strap on his mandolin like a bow and arrow and one jumps into the air.
    School-Day Performance | Invoke , article

    WEDNESDAY, NOVEMBER 15, 10 AM: Encompassing traditions from across America, including bluegrass, Appalachian fiddle tunes, jazz, and minimalism, Invoke is fueled by its passion for storytelling.

  • Article Item
    The members of Invoke, four white men wearing casual cloths, playfully pose in front of a light grey background. One member pulls back the strap on his mandolin like a bow and arrow and one jumps into the air.
    Invoke , article

    THURSDAY, NOVEMBER 16, 7:30 PM: Adding banjo, mandolin, fiddle, and voice to the string quartet, Invoke is reinventing classical music. Encompassing traditions from across America, including bluegrass, Appalachian fiddle tunes, jazz, and minimalism, the vibrant ensemble is fueled by its passion for storytelling.

  • Article Item
    Drummer Deantoni Parks, a Black man with short naturla hair, wears a sleeveless black leather vest and jeans and leans on a drum kit. He poses outside in front of a white exterior wall.
    Deantoni Parks , article

    THURSDAY, NOVEMBER 30, 7 and 9 PM: Using the creative moniker “Technoself,” experimental composer and percussionist Deantoni Parks blends technology, hip-hop, sampling, and electronica to create fascinating sonic experiences covering a variety of progressive styles.

December

  • Article Item
    A detail of william cordova's "can't stop, won't stop: tenets of southern alchemy." This collaged work shows a black and white image of a row of city apartment buildings with red letter jacket-style letters on the windows reading, from top left to bottom right, P, W, O, N, T, S, T, O, and P. Black and white and color images of Black men and women appear to sit on stoops, walk on the sidewalk, or peer through windows.
    william cordova , article

    THURSDAY, SEPTEMBER 21-SUNDAY, DECEMBER 17: william cordova examines the visual aspects of transition and displacement, studying the evolution and adaptation of objects and perception across time and space.

  • Article Item
    An installation view of Laurie Steelink's "Gathering Power," 2022. Photo by Yubo Dong, ofstudio. A three-paneled wood structure on which hangs two paintings. The painting in the center is a multicolored starburst or dream catcher pattern. Sculptural elements at left and in the center are reminiscent of totem poles. At right, a deer head and a willowy tree branch hang on a panel.
    Laurie Steelink , article

    THURSDAY, SEPTEMBER 21-SUNDAY, DECEMBER 17: Exploring connections to her Native American roots, multidisciplinary artist Laurie Steelink creates assemblages of found objects and reassembled paintings to question authenticity and consider spirituality.

  • Article Item
    The Roanoke Symphony Orchestra performs its annual "Holiday Pops Spectacular" at the Moss Arts Center. In the foreground, a man in a Santa costume plays a red electric guitar while conductor David Stewart Wiley looks on from a large red sleigh.
    Roanoke Symphony Orchestra , article

    SATURDAY, DECEMBER 2, 4 PM: Mark your calendars! This much-anticipated audience favorite returns to the Moss, filling the Fife with holiday cheer as only the Roanoke Symphony Orchestra and its "Holiday Pops" program can.

  • Article Item
    Blacksburg Master Chorale poses for a group photo in a church. The members all wear black and face the camera.
    Blacksburg Master Chorale , article

    SUNDAY, DECEMBER 17, 4 PM: The New River Valley’s own Blacksburg Master Chorale is joined by a professional orchestra and soloists to present one of the most iconic works of the holiday season, Handel’s "Messiah."

January

  • Article Item
    A promo photo of the Jazz at Lincoln Center Orchestra with Wynton Marsalis, near center. The group consists of 15 men in navy blue suits with brown shoes. They all stand or sit on stools in a row and hold their instruments in front of a white background.
    Jazz at Lincoln Center Orchestra with Wynton Marsalis , article

    TUESDAY, JANUARY 23, 7:30 PM: Grammy-winning trumpeter Wynton Marsalis leads the Jazz at Lincoln Center Orchestra. Made up of 15 of today’s finest jazz musicians, the group performs the music of great jazz composers as well as original works.

  • Article Item
    A man does the splits between two wooden ladders, which are being propped up by two fellow cast members. A large windmill is visible in the background.
    School-Day Performance | Cirque Mechanics: "Zephyr: A Whirlwind of a Circus" , article

    WEDNESDAY, JANUARY 31, 10:30 AM: An emotive and exhilarating tale about the choices humans have made regarding our planet and its resources, in "Zephyr" you will witness the tug of war that exists between man and nature, in the name of progress.

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    People ride three tall on a green bicycle on stage. Behind them is a large windmill, and a large pink backdrop.
    Cirque Mechanics , article

    WEDNESDAY, JANUARY 31, 7:30 PM: From the creative team that brought us "Birdhouse Factory" in 2022 and "Pedal Punk" in 2015 comes a fun-for-all-ages theatrical circus show inspired by the power of wind. Cirque Mechanics combines inspired storytelling and innovative mechanical staging for its latest smash, "Zephyr."

February

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    Vietnamese and Italian American singer and songwriter Julian Saporiti, right, stands on a beach on the western U.S. coast in the sun, his hands in the pockets of his brown ankle pants. He wears a blue and white striped button-down short sleeved shirt. At left is his wife and collaborator, Emilia Halvorsen-Saporiti, a young Asian woman with shoulder length dark brown hair. She wears a red sweater and light blue skinny jeans, arms crossed against the wind.
    No-No Boy , article

    THURSDAY, FEBRUARY 1, 7:30 PM: Vietnamese and Italian American singer, songwriter, and scholar Julian Saporiti details the Asian American experience in an evening of heartfelt and poignant musical storytelling set to projected archival images, part of his multi-media project, No-No Boy.

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    The company of the national tour of "My Fair Lady." Photo by Jeremy Daniel. Cast members wear elegant early 1900s costumes and dance onstage in front of a purple backdrop, onto which the pattern of ornate curtains is projected.
    "My Fair Lady" , article

    WEDNESDAY, FEBRUARY 14, 7:30 PM: Boasting such classic songs as "I Could Have Danced All Night," "The Rain in Spain," and "Wouldn’t It Be Loverly," director Bartlett Sher’s glowing production is “thrilling, glorious and better than it ever was” (New York Times).

  • Article Item
    Members of Mark Morris Dance Group perform "The Look of Love" in bright, pastel, color blocked uniforms. Brightly colored metal folding chairs are peppered throughout the dancers, and the background is teal.
    Mark Morris Dance Group , article

    SATURDAY, FEBRUARY 24, 7:30 PM: Internationally celebrated choreographer Mark Morris teams up with collaborator Ethan Iverson for this evening-length homage to the legendary late Burt Bacharach. A towering figure of popular music, Bacharach is known for soaring melodies influenced by jazz, rock, and Brazilian music.

  • Article Item
    Author Elizabeth Kolbert, a middle aged white woman with curly, sandy brown hair and blue eyes, leans against the exterior wall of a building in this headshot. She wears a black blazer over a blue patterned button down shirt with a wide collar, and smiles towards the camera.
    "An Evening with Elizabeth Kolbert" , article

    TUESDAY, FEBRUARY 27, 7:30 PM: Journalist and "New Yorker" staff writer Elizabeth Kolbert traveled from Alaska to Greenland, visiting top scientists to get to the heart of the debate over global warming.

March

April

  • Article Item
    Members of the Ukulele Orchestra of Great Britain, three white women and four white men, stand in a line wearing all black. The women are order from shortest to tallest, left to right, and the men are ordered the same way., and they all lean right towards the tallest man. The woman on the far left holds a ukulele.
    Ukulele Orchestra of Great Britain , article

    THURSDAY, APRIL 4, 7:30 PM: Featuring only ukuleles and the voices of its performers, the Ukulele Orchestra of Great Britain returns for an unforgettable evening.

  • Article Item
    Eight of the dancers from Les Ballets Trockadero de Monte Carlo, all men dressed in beautiful, detailed drag. They wear tutus in shades of pink, purple, and red, and stand in a line, all in the same position with hands on their hips and looking towards the top right edge of the frame.
    Les Ballets Trockadero de Monte Carlo , article

    SATURDAY, APRIL 13, 7:30 PM: An inspired blend of dance and impeccable humor, the world-class parody ballet company Les Ballets Trockadero de Monte Carlo makes its Southwest Virginia debut.

  • Article Item
    Cast members from "Small Island, Big Song" wear traditional costumes and accessories, and dance on stage. At left is a light-skinned Black woman, and at right is a brown man in a traditional hat and sunglasses with a traditional instrument, like a ukulele but with a rectangular body, hanging from his shoulder by its strap.
    School-Day Performance | "Small Island, Big Song" , article

    WEDNESDAY, APRIL 17, 10:30 AM: Artists from Pacific and Indian Ocean nations unite to blend traditions and create music celebrating the ways we are all connected.

  • Article Item
    Two young AAPI women wearing traditional dress and accessories perform during "Small Island, Big Song." At left, a Black woman with a white dress, pink and orange scarf tied around her waist, and puka shell jewelry sings and plays a large hand drum. At right, a woman with long brown hair wears a black crop top, black pants, and traditional jewelry and plays a red and white bass guitar.
    "Small Island, Big Song" , article

    WEDNESDAY, APRIL 17, 7:30 PM: In this inspiring multimedia concert confronting climate change, artists from Pacific and Indian Ocean nations unite to blend traditions and create music celebrating the ways we are all connected. The result is a breathtakingly beautiful sound made by those who sing for the seas.

  • Article Item
    Conductor Jakub Hrůša, a middle aged white man with sandy brown hair, extends his arms out wide as he conducts the Bamberg Symphony during a live performance. All the string players watch him and their bows are raised in the air away from their instruments.
    Bamberg Symphony , article

    FRIDAY, APRIL 26, 7:30 PM: With a musical lineage stretching back to the 18th and 19th centuries — to Mahler and Mozart — Germany’s Bamberg Symphony is a favorite around the world, performing over 7,000 concerts in more than 60 countries and over 500 cities.

May

September

  • Article Item
    The Brentano String Quartet wears evening attire in a grand, wood-paneled room, light streaming in from large windows to the right. The quartet is comprised of two white men, one white woman, and one Asian woman, who is seated. They each hold their instruments.
    Brentano String Quartet , article

    FRIDAY, SEPTEMBER 22, 7:30 PM: Having first performed in the Fife in 2014, Brentano String Quartet returns for the center’s 10th anniversary season, joined by leading violist and Juilliard faculty member Hsin-Yun Huang.

  • Article Item
    Women drummers from Rwanda perform onstage. They are Black women with brightly colored long braids, some of which are flying through the air with their motion. They wear blue and brown patterned dresses in slightly different styles.
    "The Book of Life" , article

    TUESDAY, SEPTEMBER 26, 7:30 PM: Rwandan writer and activist Gakire Katese Odile “Kiki” takes to the stage with Ingoma Nshya, the Women Drummers of Rwanda, for new theatre project "The Book of Life," a deeply moving perspective on life, loss, and recovery.

October

  • Article Item
    Host Kathy Mattea sings into a microphone on stage during a Mountain Stage performance. Mattea is a white woman with long grey hair. She wears a black blazer and plays an acoustic guitar, which is just visible behind a music stand. The background is ethereal-looking blue and grey lights.
    Mountain Stage with Kathy Mattea , article

    SUNDAY, OCTOBER 1, 7 PM: Join Grammy-winning country and bluegrass star Kathy Mattea for an episode of Mountain Stage recorded live from the Fife Theatre.

  • Article Item
    From left, Shahzad Ismaily, a bald brown man with white sideburns, round sunglasses, and a long white peacoat over a dark shirt; Vijay Iyer, a young brown man with medium length dark brown hair in a fade on the sides, wearing a black and silver brocade blazer over a black button down shirt, and Arooj Aftab, a young brown woman with dark brown hair pulled into a messy updo, wearing a black jacket with fluffy white sleeves. They stand in front of a dark grey background.
    Arooj Aftab, Vijay Iyer, and Shahzad Ismaily , article

    SATURDAY, OCTOBER 7, 7:30 PM: Three accomplished musicians forge a singular voice incorporating their distinct backgrounds and vast histories of collaboration.

  • Article Item
    Writer and activist Winona LaDuke, a middle aged Indigenous woman with long, straight brown hair. She smiles towards the camera in front of a light grey background in this headshot.
    Winona LaDuke , article

    MONDAY, OCTOBER 9, 7:30 PM: Harvard-educated economist, activist, and author Winona LaDuke has devoted her life to advocating for Indigenous people’s rights and environmental justice.

  • Article Item
    Two light skinned Black women, one middle aged, in the background, and one younger, in the foreground, perform "Krummelpap, Scandals Wrapped with Prayer" on stage. The younger woman has a shaved head and wears a wine-colored velvet halter neck dress and sits on a stool. The older woman wears a striped tank top dress and stands behind her, her face twisted in concentration and both hands raised above the head of the younger woman, as if in prayer. Between her hands, a bright stage light is visible.
    Garage Dance Ensemble , article

    WEDNESDAY, OCTOBER 11, 9 PM, AND THURSDAY, OCTOBER 12, 7:30 PM: Garage Dance Ensemble brings this deeply personal and socially charged contemporary dance-theatre work named for krummelpap, a South African comfort food similar to American grits.

  • Article Item
    The members of Vox Luminis stand in a group on a set of outdoor brick stairs. The musicians in the group hold their instruments, and everyone wears evening attire.
    Vox Luminis , article

    THURSDAY, OCTOBER 19, 7:30 PM: Renowned Belgian early music vocal and instrumental ensemble Vox Luminis is defined by its unique sound, appealing as much through the personality of each timbre as it does through the color and the uniformity of the voices.

  • Article Item
    The logo for Broadway show "Come From Away," which is spelled out in yellow text with the O in "From" represented as the earth. Below the title is light blue text that reads "True Story. Hit Musical." The background is a blue woodgrain.
    "Come From Away" , article

    MONDAY, OCTOBER 23, 8 PM: This stirring and inspiring musical takes you into the heart of the remarkable true story of the small town in Newfoundland that opened its homes to 7,000 stranded travelers on 9/11.

  • Article Item
    The members of Pink Martini wear '60s-inspired outfits and dance in front of a multicolored '60s-inspired backdrop, some of them holding their instruments.
    Pink Martini featuring China Forbes , article

    FRIDAY, OCTOBER 27, 7:30 PM: After a fervent standing ovation for its 2021 performance at the Moss, audience favorite Pink Martini brings its infectious, bubbly sounds back to Blacksburg for a celebration guaranteed to have the audience dancing in the aisles.

November

  • Article Item
    At left, Nikki Giovanni, an older Black woman with short, grey, natural hair, and at right, Javon Jackson, a Black man with a short Afro. They sit in a recording studio, both wearing headphones, and he holds his saxophone. Blurred yellow lights reflect in front of the pair.
    Javon Jackson with Nikki Giovanni and Nnenna Freelon , article

    FRIDAY, NOVEMBER 3, 7:30 PM: A historic collaboration between renowned poet and Virginia Tech legend Nikki Giovanni and saxophonist-composer and former Jazz Messenger Javon Jackson has yielded "The Gospel According to Nikki Giovanni."

  • Article Item
    An actress, an Asian woman with long red-brown hair, wears sunglasses and a fur coat and speaks into three microphones in stands, her right hand pointing towards the ceiling.
    Seongbukdong Beedoolkee Theatre , article

    WEDNESDAY, NOVEMBER 8, AND THURSDAY, NOVEMBER 9, 7:30 PM: This Seoul, Korea-based innovative contemporary theatre company delivers a completely original take on the enduring Greek tragedy of "Medea," recasting the ancient tale as a commentary on contemporary media and serving it to the audience in outrageous ways.

  • Article Item
    The members of Invoke, four white men wearing casual cloths, playfully pose in front of a light grey background. One member pulls back the strap on his mandolin like a bow and arrow and one jumps into the air.
    Invoke , article

    THURSDAY, NOVEMBER 16, 7:30 PM: Adding banjo, mandolin, fiddle, and voice to the string quartet, Invoke is reinventing classical music. Encompassing traditions from across America, including bluegrass, Appalachian fiddle tunes, jazz, and minimalism, the vibrant ensemble is fueled by its passion for storytelling.

  • Article Item
    Drummer Deantoni Parks, a Black man with short naturla hair, wears a sleeveless black leather vest and jeans and leans on a drum kit. He poses outside in front of a white exterior wall.
    Deantoni Parks , article

    THURSDAY, NOVEMBER 30, 7 and 9 PM: Using the creative moniker “Technoself,” experimental composer and percussionist Deantoni Parks blends technology, hip-hop, sampling, and electronica to create fascinating sonic experiences covering a variety of progressive styles.

December

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    The Roanoke Symphony Orchestra performs its annual "Holiday Pops Spectacular" at the Moss Arts Center. In the foreground, a man in a Santa costume plays a red electric guitar while conductor David Stewart Wiley looks on from a large red sleigh.
    Roanoke Symphony Orchestra , article

    SATURDAY, DECEMBER 2, 4 PM: Mark your calendars! This much-anticipated audience favorite returns to the Moss, filling the Fife with holiday cheer as only the Roanoke Symphony Orchestra and its "Holiday Pops" program can.

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    Blacksburg Master Chorale poses for a group photo in a church. The members all wear black and face the camera.
    Blacksburg Master Chorale , article

    SUNDAY, DECEMBER 17, 4 PM: The New River Valley’s own Blacksburg Master Chorale is joined by a professional orchestra and soloists to present one of the most iconic works of the holiday season, Handel’s "Messiah."

January

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    A promo photo of the Jazz at Lincoln Center Orchestra with Wynton Marsalis, near center. The group consists of 15 men in navy blue suits with brown shoes. They all stand or sit on stools in a row and hold their instruments in front of a white background.
    Jazz at Lincoln Center Orchestra with Wynton Marsalis , article

    TUESDAY, JANUARY 23, 7:30 PM: Grammy-winning trumpeter Wynton Marsalis leads the Jazz at Lincoln Center Orchestra. Made up of 15 of today’s finest jazz musicians, the group performs the music of great jazz composers as well as original works.

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    People ride three tall on a green bicycle on stage. Behind them is a large windmill, and a large pink backdrop.
    Cirque Mechanics , article

    WEDNESDAY, JANUARY 31, 7:30 PM: From the creative team that brought us "Birdhouse Factory" in 2022 and "Pedal Punk" in 2015 comes a fun-for-all-ages theatrical circus show inspired by the power of wind. Cirque Mechanics combines inspired storytelling and innovative mechanical staging for its latest smash, "Zephyr."

February

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    Vietnamese and Italian American singer and songwriter Julian Saporiti, right, stands on a beach on the western U.S. coast in the sun, his hands in the pockets of his brown ankle pants. He wears a blue and white striped button-down short sleeved shirt. At left is his wife and collaborator, Emilia Halvorsen-Saporiti, a young Asian woman with shoulder length dark brown hair. She wears a red sweater and light blue skinny jeans, arms crossed against the wind.
    No-No Boy , article

    THURSDAY, FEBRUARY 1, 7:30 PM: Vietnamese and Italian American singer, songwriter, and scholar Julian Saporiti details the Asian American experience in an evening of heartfelt and poignant musical storytelling set to projected archival images, part of his multi-media project, No-No Boy.

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    The company of the national tour of "My Fair Lady." Photo by Jeremy Daniel. Cast members wear elegant early 1900s costumes and dance onstage in front of a purple backdrop, onto which the pattern of ornate curtains is projected.
    "My Fair Lady" , article

    WEDNESDAY, FEBRUARY 14, 7:30 PM: Boasting such classic songs as "I Could Have Danced All Night," "The Rain in Spain," and "Wouldn’t It Be Loverly," director Bartlett Sher’s glowing production is “thrilling, glorious and better than it ever was” (New York Times).

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    Members of Mark Morris Dance Group perform "The Look of Love" in bright, pastel, color blocked uniforms. Brightly colored metal folding chairs are peppered throughout the dancers, and the background is teal.
    Mark Morris Dance Group , article

    SATURDAY, FEBRUARY 24, 7:30 PM: Internationally celebrated choreographer Mark Morris teams up with collaborator Ethan Iverson for this evening-length homage to the legendary late Burt Bacharach. A towering figure of popular music, Bacharach is known for soaring melodies influenced by jazz, rock, and Brazilian music.

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    Author Elizabeth Kolbert, a middle aged white woman with curly, sandy brown hair and blue eyes, leans against the exterior wall of a building in this headshot. She wears a black blazer over a blue patterned button down shirt with a wide collar, and smiles towards the camera.
    "An Evening with Elizabeth Kolbert" , article

    TUESDAY, FEBRUARY 27, 7:30 PM: Journalist and "New Yorker" staff writer Elizabeth Kolbert traveled from Alaska to Greenland, visiting top scientists to get to the heart of the debate over global warming.

March

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    Musician Meshell Ndegeocello, a Black woman with shortly cropped natural hair and a star tatttooed near her right eye, stands outside near railroad tracks in the late fall or winter, wrapped in a camel-colored coat or large scarf. She looks towards the right of the frame, and some of the wooden tithes are covered in melting snow behind her.
    Meshell Ndegeocello , article

    FRIDAY, MARCH 15, 7:30 PM: Traversing soul, R&B, jazz, hip-hop, and rock, Grammy winner Meshell Ndegeocello’s work is bound by the search for love, justice, respect, and resolution.

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    At left, the members of So Percussion, four white men, stand around composer Caroline Shaw, a white woman., all wearing casual clothes in front of a grey background. At right, beat boxer and voice percussionist Shodekeh, a Black man with a salt a pepper beard, performs enthusiastically, both hands balled into fists with feeling. He wears a grey hoodie with the hood pulled up in front of a light brick interior wall.
    Sō Percussion with Caroline Shaw and special guest Shodekeh , article

    WEDNESDAY, MARCH 20, 7:30 PM: Multi-genre quartet Sō Percussion joins forces with two preeminent collaborators for an evening of music bridging the worlds of classical and pop.

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    Members of East Los Angeles Chicano indie-folk band Las Cafeteras pose around a restored matte black El Camino. Some members hold Mexican ukulele-sized guitars and drum sticks. The four brown men wear all black and the two brown women wear black with red accents.
    Las Cafeteras , article

    TUESDAY, MARCH 26, 7:30 PM: East Los Angeles Chicano indie-folk band Las Cafeteras has taken the music scene by storm with its infectious live performances, crossing many genres and borders along the way.

April

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    Members of the Ukulele Orchestra of Great Britain, three white women and four white men, stand in a line wearing all black. The women are order from shortest to tallest, left to right, and the men are ordered the same way., and they all lean right towards the tallest man. The woman on the far left holds a ukulele.
    Ukulele Orchestra of Great Britain , article

    THURSDAY, APRIL 4, 7:30 PM: Featuring only ukuleles and the voices of its performers, the Ukulele Orchestra of Great Britain returns for an unforgettable evening.

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    Eight of the dancers from Les Ballets Trockadero de Monte Carlo, all men dressed in beautiful, detailed drag. They wear tutus in shades of pink, purple, and red, and stand in a line, all in the same position with hands on their hips and looking towards the top right edge of the frame.
    Les Ballets Trockadero de Monte Carlo , article

    SATURDAY, APRIL 13, 7:30 PM: An inspired blend of dance and impeccable humor, the world-class parody ballet company Les Ballets Trockadero de Monte Carlo makes its Southwest Virginia debut.

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    Two young AAPI women wearing traditional dress and accessories perform during "Small Island, Big Song." At left, a Black woman with a white dress, pink and orange scarf tied around her waist, and puka shell jewelry sings and plays a large hand drum. At right, a woman with long brown hair wears a black crop top, black pants, and traditional jewelry and plays a red and white bass guitar.
    "Small Island, Big Song" , article

    WEDNESDAY, APRIL 17, 7:30 PM: In this inspiring multimedia concert confronting climate change, artists from Pacific and Indian Ocean nations unite to blend traditions and create music celebrating the ways we are all connected. The result is a breathtakingly beautiful sound made by those who sing for the seas.

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    Conductor Jakub Hrůša, a middle aged white man with sandy brown hair, extends his arms out wide as he conducts the Bamberg Symphony during a live performance. All the string players watch him and their bows are raised in the air away from their instruments.
    Bamberg Symphony , article

    FRIDAY, APRIL 26, 7:30 PM: With a musical lineage stretching back to the 18th and 19th centuries — to Mahler and Mozart — Germany’s Bamberg Symphony is a favorite around the world, performing over 7,000 concerts in more than 60 countries and over 500 cities.

May

September

November

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    Characters perform "MEDEA on Media" on stage, all dressed in party attire from the 1940s or '50s, and dance on stage.
    Post-Performance Q&A: "MEDEA on Media" , article

    WEDNESDAY, NOVEMBER 8, following the performance: Join the director and performers of "MEDEA on Media" for this open discussion on the theatre company’s bold adaptation of this classic tragedy.

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    The members of Invoke, four white men wearing casual cloths, playfully pose in front of a light grey background. One member pulls back the strap on his mandolin like a bow and arrow and one jumps into the air.
    School-Day Performance | Invoke , article

    WEDNESDAY, NOVEMBER 15, 10 AM: Encompassing traditions from across America, including bluegrass, Appalachian fiddle tunes, jazz, and minimalism, Invoke is fueled by its passion for storytelling.

January

March

April

September

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    A detail of william cordova's "can't stop, won't stop: tenets of southern alchemy." This collaged work shows a black and white image of a row of city apartment buildings with red letter jacket-style letters on the windows reading, from top left to bottom right, P, W, O, N, T, S, T, O, and P. Black and white and color images of Black men and women appear to sit on stoops, walk on the sidewalk, or peer through windows.
    william cordova , article

    THURSDAY, SEPTEMBER 21-SUNDAY, DECEMBER 17: william cordova examines the visual aspects of transition and displacement, studying the evolution and adaptation of objects and perception across time and space.

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    An installation view of Laurie Steelink's "Gathering Power," 2022. Photo by Yubo Dong, ofstudio. A three-paneled wood structure on which hangs two paintings. The painting in the center is a multicolored starburst or dream catcher pattern. Sculptural elements at left and in the center are reminiscent of totem poles. At right, a deer head and a willowy tree branch hang on a panel.
    Laurie Steelink , article

    THURSDAY, SEPTEMBER 21-SUNDAY, DECEMBER 17: Exploring connections to her Native American roots, multidisciplinary artist Laurie Steelink creates assemblages of found objects and reassembled paintings to question authenticity and consider spirituality.

October

  • Article Item
    A detail of william cordova's "can't stop, won't stop: tenets of southern alchemy." This collaged work shows a black and white image of a row of city apartment buildings with red letter jacket-style letters on the windows reading, from top left to bottom right, P, W, O, N, T, S, T, O, and P. Black and white and color images of Black men and women appear to sit on stoops, walk on the sidewalk, or peer through windows.
    william cordova , article

    THURSDAY, SEPTEMBER 21-SUNDAY, DECEMBER 17: william cordova examines the visual aspects of transition and displacement, studying the evolution and adaptation of objects and perception across time and space.

  • Article Item
    An installation view of Laurie Steelink's "Gathering Power," 2022. Photo by Yubo Dong, ofstudio. A three-paneled wood structure on which hangs two paintings. The painting in the center is a multicolored starburst or dream catcher pattern. Sculptural elements at left and in the center are reminiscent of totem poles. At right, a deer head and a willowy tree branch hang on a panel.
    Laurie Steelink , article

    THURSDAY, SEPTEMBER 21-SUNDAY, DECEMBER 17: Exploring connections to her Native American roots, multidisciplinary artist Laurie Steelink creates assemblages of found objects and reassembled paintings to question authenticity and consider spirituality.

November

  • Article Item
    A detail of william cordova's "can't stop, won't stop: tenets of southern alchemy." This collaged work shows a black and white image of a row of city apartment buildings with red letter jacket-style letters on the windows reading, from top left to bottom right, P, W, O, N, T, S, T, O, and P. Black and white and color images of Black men and women appear to sit on stoops, walk on the sidewalk, or peer through windows.
    william cordova , article

    THURSDAY, SEPTEMBER 21-SUNDAY, DECEMBER 17: william cordova examines the visual aspects of transition and displacement, studying the evolution and adaptation of objects and perception across time and space.

  • Article Item
    An installation view of Laurie Steelink's "Gathering Power," 2022. Photo by Yubo Dong, ofstudio. A three-paneled wood structure on which hangs two paintings. The painting in the center is a multicolored starburst or dream catcher pattern. Sculptural elements at left and in the center are reminiscent of totem poles. At right, a deer head and a willowy tree branch hang on a panel.
    Laurie Steelink , article

    THURSDAY, SEPTEMBER 21-SUNDAY, DECEMBER 17: Exploring connections to her Native American roots, multidisciplinary artist Laurie Steelink creates assemblages of found objects and reassembled paintings to question authenticity and consider spirituality.

December

  • Article Item
    A detail of william cordova's "can't stop, won't stop: tenets of southern alchemy." This collaged work shows a black and white image of a row of city apartment buildings with red letter jacket-style letters on the windows reading, from top left to bottom right, P, W, O, N, T, S, T, O, and P. Black and white and color images of Black men and women appear to sit on stoops, walk on the sidewalk, or peer through windows.
    william cordova , article

    THURSDAY, SEPTEMBER 21-SUNDAY, DECEMBER 17: william cordova examines the visual aspects of transition and displacement, studying the evolution and adaptation of objects and perception across time and space.

  • Article Item
    An installation view of Laurie Steelink's "Gathering Power," 2022. Photo by Yubo Dong, ofstudio. A three-paneled wood structure on which hangs two paintings. The painting in the center is a multicolored starburst or dream catcher pattern. Sculptural elements at left and in the center are reminiscent of totem poles. At right, a deer head and a willowy tree branch hang on a panel.
    Laurie Steelink , article

    THURSDAY, SEPTEMBER 21-SUNDAY, DECEMBER 17: Exploring connections to her Native American roots, multidisciplinary artist Laurie Steelink creates assemblages of found objects and reassembled paintings to question authenticity and consider spirituality.